HomeFilm ProgrammesLibraryMembershipVenue HireVertigo MagazineArchive

Related Items

prev-66-67-68-69-70-71-72-73-74-next
ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa
ARTICLE

The Cinematic Tango: Contemporary Argentine Film

By Tamara Falicov
ARTICLE

Earth: The Artistic Rendition of Reality

By Owen Armstrong
REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter
ARTICLE

Where the Past Meets the Future

By Lee Hill
MANIFESTO

From the People of the Colour of the Earth: The Zapatista Statement

By Subcomandante Marcos, the EZLN
ARTICLE

Do Impossible Things: 1968 and its Legacies

By Sukhdev Sandhu
ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller
ESSAY

"but i still haven’t figured out the meaning of life." Notes on Jan Peters’ Cycle of Short Films I Am...

By Claus Löser
ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Kurt Kren: Which Way to CA?

INTERVIEW

Binka: To Tell a Story About Silence

By Sean Kaye-Smith

Mean Streets

Close-Up on Masters of Polish Cinema

Notes on Blindness: Into Darkness

prev-66-67-68-69-70-71-72-73-74-next

Close-Up Film Centre
97 Sclater Street
London E1 6HR
+44 (0)20 3784 7970
info@closeupfilmcentre.com
Open Monday to Sunday: 12:00 - 12:00

Call
Send SMS
Add to Skype
You'll need Skype CreditFree via Skype
About
Contact Us
Terms & Conditions
Privacy Policy
Cookie Policy
Disclaimer
new_facebook.png  nem_twitter.png instagram.png new_rss.png
Click Here to Sign Up to our Mailing List
All rights reserved © CLOSE-UP 2011 - 2025