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Close-Up on Orson Welles
The Phantom of the Opera
Filmarmalade: Doozy
The Housemaid
Blue Velvet
The Last Detail
Nashville
Black Tuesday
The Killing
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference
By
Holly Aylett
ARTICLE
Vertigo Café
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
REVIEW
The Bigger Picture
By
Jason Wood
INTERVIEW
Being Hal Ashby
By
Lee Hill
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