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ARTICLE
The Hours Is Not a Film
By
John Bradburn
Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
ARTICLE
Lindsay Anderson Notes
By
John Anderton
Essential Cinema VI
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
Sex, Politics, Art and Revolution: French Cinema in 1968
INTERVIEW
Love Is the Devil
By
John Maybury and Ben Gibson
ARTICLE
Marvo Man
By
William Fowler
November Film Festival Programme 4
ARTICLE
From Darkness into Light: Policies for Audiovisual Development in Africa
By
Rasmane Ouedraougu
Drifting Shadows: Masterpieces of Finnish Cinema
ARTIST'S PAGES
Work in Progress
By
Samantha Rebello
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