Archives

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

People in the Summer Night + Alvar Aalto

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

The Liberated Film Club III with Sean Price Williams

ARTICLE

New Technology: The Human V-Chip

By Anna Karlin and Alexis Karlin

Kelly Gallagher, I am the mace

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

The Liberated Film Club VI with Juliet Jacques

ARTICLE

Two Men with Flowering Branches

By Graeme Hobbs

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

By Iain Sinclair

Four Parts of a Folding Screen

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

Related Items

ARTICLE

Why and for Whom Do We Film Today?

People in the Summer Night + Alvar Aalto

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

The Liberated Film Club III with Sean Price Williams

ARTICLE

New Technology: The Human V-Chip

Kelly Gallagher, I am the mace

ARTICLE

Vertigo Café: Illuminating Cinematography

The Liberated Film Club VI with Juliet Jacques

ARTICLE

Two Men with Flowering Branches

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

Four Parts of a Folding Screen

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

Le Jour Se Lève

The Housemaid

Never on Sunday