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ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

By Jean-Michel Frodon

Field and Frame: Bea Haut, Jenny Baines & Laura Hindmarsh

The Trial

Partition

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

By Nicky Hamlin

ARTICLE

Kate Adams: Feeling and Knowing

By Catherine Elwes

INTERVIEW

An interview with Artist Ben Rivers

By William Rose

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

Festival of (In)appropriation

Motoharu Jonouchi: Avant-Garde Visions of 1960s Protest Movements

Lola

ARTICLE

Anxious Visions

By Keith Griffiths

INTERVIEW

Mass Distraction

By Chris Darke

INTERVIEW

An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema

By Jason Wood

Related Items

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

Field and Frame: Bea Haut, Jenny Baines & Laura Hindmarsh

The Trial

Partition

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

ARTICLE

Kate Adams: Feeling and Knowing

INTERVIEW

An interview with Artist Ben Rivers

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

Festival of (In)appropriation

Motoharu Jonouchi: Avant-Garde Visions of 1960s Protest Movements

Lola

ARTICLE

Anxious Visions

INTERVIEW

Mass Distraction

INTERVIEW

An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema

Close-Up on Rainer Werner Fassbinder