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By Michael Chanan

ARTICLE

Anxious Visions

By Keith Griffiths

ARTICLE

The History of Cinema and History in Cinema

By Chris Petit

November Film Festival

ARTICLE

Mysterious Britain: Jane Arden, Jethro Tull and 1973

By Sean Kaye-Smith

Four Parts of a Folding Screen

INTERVIEW

A Promise to Eisenstein

By Jonty Claypole

ARTICLE

Celluloid Singapore

By Ben Slater

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

By Brad Prager

ARTICLE

UbuWeb: The YouTube of the Avant-Garde

By James Norton

ARTICLE

The Hills Are Alive

By Kieron Corless

ARTICLE

Fajr Film Festival Diary, Iran

By Michael Chanan

ARTICLE

Quebec Cinema 2005

By Bill Marshall

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Abigail Child and Ruth Novaczek: Trilogies

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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Anxious Visions

ARTICLE

The History of Cinema and History in Cinema

November Film Festival

ARTICLE

Mysterious Britain: Jane Arden, Jethro Tull and 1973

Four Parts of a Folding Screen

INTERVIEW

A Promise to Eisenstein

ARTICLE

Celluloid Singapore

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

ARTICLE

UbuWeb: The YouTube of the Avant-Garde

ARTICLE

The Hills Are Alive

ARTICLE

Fajr Film Festival Diary, Iran

ARTICLE

Quebec Cinema 2005

Trims (working title) slates 19-147