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By Dalia Neis

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Edge of Frame: Collision #2

EDITORIAL

Volume 3 - Issue 6 - Editorial

By Gareth Evans

ARTICLE

The Children of Godard and 90s TV

By James Leahy, Jamie Payne, David Styan, Karen Alexander

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

Don't Try this at Home: Tarantino

By Ian Penman

REVIEW

The Main Course

By the Celluloid Liberation Front

INTERVIEW

Remixing Hollywood

By Nadine Poulain

REVIEW

Transcending the Abject: A review of Seul contre tous

By Tony McKibbin

ARTICLE

Still/Moving: Desire Paths in Dryden Goodwin's Flight

By Gareth Evans

REVIEW

Telling it Like it (Actually) Is

By Gabriel Carlyle

LETTER

Romantic, Beyond, Impossible and Heartbreaking

By Ian White

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ESSAY

Disembodied Intercourse: Reflections on Virginia Woolf's 'The Sun and the Fish'

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Edge of Frame: Collision #2

EDITORIAL

Volume 3 - Issue 6 - Editorial

ARTICLE

The Children of Godard and 90s TV

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

Don't Try this at Home: Tarantino

REVIEW

The Main Course

INTERVIEW

Remixing Hollywood

REVIEW

Transcending the Abject: A review of Seul contre tous

ARTICLE

Still/Moving: Desire Paths in Dryden Goodwin's Flight

REVIEW

Telling it Like it (Actually) Is

LETTER

Romantic, Beyond, Impossible and Heartbreaking