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Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Salesman
Everything But The World
Ivan's Childhood
Close-Up on Béla Tarr
Mekong Hotel
Portrait of Jason
EDITORIAL
Volume 1 - Issue 3 - Editorial
By
Marc Karlin
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
LETTER
A Word in your Ear, Minister...
By
Julian Petley
ESSAY
In the Perceptible Field
By
Catherine Elwes
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
ARTICLE
Hollywood and the Difficulties of Being English
By
Fiona Shaw
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
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