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ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
SCRIPT
Unrequited Love
By
Chris Petit
ARTICLE
Exploiting the Innocent Heroine
By
Elzemieke de Tiege
INTERVIEW
Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s
By
Mark Goodall
INTERVIEW
The History that Keeps Coming Back
By
Antoine de Baecque
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
DOCUMENT
For Tomorrow’s Witness
By
The filmmakers of Lebanon
|
Israel
MANIFESTO
The Cambridge Document
Mademoiselle
Close-Up on Michael Haneke
Close-Up on Masters of Polish Cinema
The Long Goodbye
Eraserhead + The Grandmother
Paris, Texas
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