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ARTICLE

Vertigo Reports...

ARTICLE

Why the Documentary Cinema?

By Henri Storck
ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt
ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

By Iain Sinclair
ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden
ARTICLE

Mysterious Britain: Jane Arden, Jethro Tull and 1973

By Sean Kaye-Smith
ARTICLE

From Brit-Flicks to Shit-Flicks

By Julien Petley
ARTICLE

Celluloid Singapore

By Ben Slater
ARTICLE

How Many Roads...

By Holly Aylett
ARTICLE

Persistent Fallacy Gives Good Rhetoric

By James Leahy
ESSAY

‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

By Phil Gunson
ARTICLE

Transatlantic Drift

By Holly Aylett
ARTICLE

Peak Experience

By Graham Coleman
ARTICLE

Return of the Real: Introducing The Artists Cinema

By George Clark
ARTICLE

Smoking Cabinet

By Claire Cooke and Simone Pyne
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