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ARTICLE
Vertigo Reports...
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
Celluloid Singapore
By
Ben Slater
ARTICLE
How Many Roads...
By
Holly Aylett
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
ESSAY
‘Eyewitness’ Documentary and the Fabrication of ‘Truth’
By
Phil Gunson
ARTICLE
Transatlantic Drift
By
Holly Aylett
ARTICLE
Peak Experience
By
Graham Coleman
ARTICLE
Return of the Real: Introducing The Artists Cinema
By
George Clark
ARTICLE
Smoking Cabinet
By
Claire Cooke and Simone Pyne
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