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Grandma’s Grammar: Memory’s Hands
Textile Cinema: Amy Dickson, Jennifer Nightingale and Mary Stark
Flux at the Minema 1994 / 2024
ARTICLE
Who's to Say What We Should and Shouldn't See?
By
Margaret Dickinson and Simon Reynell
ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ARTICLE
Disconnected or Is Britain Ready for Europe?
By
Michael Chanan
ARTICLE
Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age
By
Graham Murdoch
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Subtitled and Silent Films
By
Dora Stewart
ARTICLE
Mobile Men: Apichatpong Weerasethakul’s Migrant
By
Rob Dennis
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
INTERVIEW
Being Hal Ashby
By
Lee Hill
ARTICLE
Phonography and the Drift
By
Owen Armstrong
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
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