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ARTICLE
London: Why Is It so Hard to Enjoy?
By
Mark Fisher
ARTIST'S PAGES
Work in Progress
By
Samantha Rebello
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
Rendered Invisible: the Silence of the Critics
By
Ruth Lingford
REVIEW
Handing on Histories
By
Sheila Rowbotham
REVIEW
Land of Promise
By
Dai Vaughan
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
REVIEW
To a Dog you're the World, to your Girlfriend you're never Sure
By
John Gorick
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
ARTICLE
Germany in Autumn
By
Pepe Petos
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Close-Up on Jean-Luc Godard
Welcome to Britain
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