Archives

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

DIARY

I’m too sad to tell you about I’m Too Sad to Tell You

By Juliet Jacques

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

By Michael Chanan and Julian Petley

ARTICLE

Carla’s Song: Exit INCINE, Enter ANCI

By Frank Pineda and Florencia Jaugey

[+] Film Collective: Experimental Films by Makino Takashi & Rei Hayama

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

By Julian Petley

Suriname, Saarland and Surabaya: 3 Films by Karel Doing

OBITUARY

Tributes: Marguerite Duras

By Jill Forbes

Close-Up on Masters of Polish Cinema

ARTICLE

Dash this Weekly Reckoning Up!‏

By Rosy Rockets

Close-Up on Peter Tscherkassky and Eve Heller

INTERVIEW

Return of the Reforgotten

By Vertigo

Adjunct Dislocations

REVIEW

Michael O'Pray: Derek Jarman: Dreams of England

By Catherine Lupton

Related Items

ARTICLE

Why and for Whom Do We Film Today?

DIARY

I’m too sad to tell you about I’m Too Sad to Tell You

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

ARTICLE

Carla’s Song: Exit INCINE, Enter ANCI

[+] Film Collective: Experimental Films by Makino Takashi & Rei Hayama

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

Suriname, Saarland and Surabaya: 3 Films by Karel Doing

OBITUARY

Tributes: Marguerite Duras

Close-Up on Masters of Polish Cinema

ARTICLE

Dash this Weekly Reckoning Up!‏

Close-Up on Peter Tscherkassky and Eve Heller

INTERVIEW

Return of the Reforgotten

Adjunct Dislocations

REVIEW

Michael O'Pray: Derek Jarman: Dreams of England

MAS*H