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By John Jordan

REVIEW

Eye Candy or New Indie Cinema?

By Holly Aylett

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

November Film Festival

Slow Short Film Festival, Part 1

REVIEW

Future Cinema & Trafic 50

By Chris Darke

Innocence Unprotected: Reframing the World through Yugoslav Cinema

Close-Up Cinema Year 1

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List

By Linda Pariser

ARTICLE

Nokia-isation of Scottish Film Policy

By Mark Cousins

Essential Cinema III

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

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London Korean Film Festival 2017

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There Will Be no Cinema in Utopia

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Eye Candy or New Indie Cinema?

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Personal Cinema: Józef Robakowski’s Cinematic Works

REVIEW

A. L. Rees's A History of Experimental Film and Video

November Film Festival

Slow Short Film Festival, Part 1

REVIEW

Future Cinema & Trafic 50

Innocence Unprotected: Reframing the World through Yugoslav Cinema

Close-Up Cinema Year 1

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List

ARTICLE

Nokia-isation of Scottish Film Policy

Essential Cinema III

ARTICLE

The Slade School and Cinema: Part Two