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REVIEW

Antonioni's The Passenger

By Henry K. Miller

ARTICLE

Exploiting the Innocent Heroine

By Elzemieke de Tiege

ARTICLE

The Great Escape

By Julian Petley

ARTICLE

A Filmosophy of the Dardennes

By Daniel Frampton

ARTICLE

Ivan Passer's Intimate Lighting

By Graeme Hobbs, Mehelli Modi

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ARTICLE

A Desperate Utopian Dream - Pedro Costa: an Introduction

By Mark Peranson

ARTICLE

Real Fiction – Blurring Lines Between Documentary and Fiction

By David Balfour

INTERVIEW

Second Run, First class

By Kieron Corless

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

REVIEW

Genteel, Accessible, Revolutionary

By Roger Luckhurst

QUESTION AND ANSWER

Propaganda for the Politics of Joy and Disorder

By Stuart Comer

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REVIEW

Antonioni's The Passenger

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The Great Escape

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A Filmosophy of the Dardennes

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Ivan Passer's Intimate Lighting

INTERVIEW

From the Beats to the Beastly

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A Desperate Utopian Dream - Pedro Costa: an Introduction

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Real Fiction – Blurring Lines Between Documentary and Fiction

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Genteel, Accessible, Revolutionary

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Propaganda for the Politics of Joy and Disorder

Histories of the Avant-Garde Part III

Jan Peters …but I still haven’t figured out the meaning of life

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