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ARTICLE
Filming in Russia
By
Hannah Collins
ESSAY
Something in the Interval
By
Marina Vishmidt
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ARTICLE
Intimate Distance: On Moving Images in Live Performance
By
Jack McNamara
ARTICLE
Exploiting the Innocent Heroine
By
Elzemieke de Tiege
INTERVIEW
The Heart of the Matter
By
Jason Wood
ARTICLE
Final Residues of the Image: On Marcus Reichert
By
Stephen Barber
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
ARTICLE
Ivan Passer's Intimate Lighting
By
Graeme Hobbs, Mehelli Modi
INTERVIEW
Life as it Is
By
Mar Diestro-Dópido
MANIFESTO
From the People of the Colour of the Earth: The Zapatista Statement
By
Subcomandante Marcos, the EZLN
INTERVIEW
The History that Keeps Coming Back
By
Antoine de Baecque
REVIEW
Theorem: Pasolini’s Family Affair
By
James Norton
ARTICLE
From Tet to Iraq: 40 Years of Conflict and Resistance
By
Mike Marqusee
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