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ARTICLE
Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller
By
Davina Quinlivan
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Films that No-One Else Will See
By
Michael Eaton
ARTICLE
The Art of Destruction: The Films of the Vienna Action Group
By
Stephen Barber
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ARTICLE
Seasons Past: The Films of Michael J. Ham
By
William Fowler
ARTICLE
Older Women in Feature Films
By
Rina Rosselson
ARTICLE
The Memo Book: The Films and Video of Matthias Muller
By
Stefanie Schulte Strathaus
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
INTERVIEW
Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics
By
Robert Chilcott
ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
FILM PROGRAMME
23 November 2010: Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s
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