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By James Rose

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Artaud on the Marx Brothers

By Antonin Artaud

INTERVIEW

Living in the Dark: An Interview with Jonathan Romney

By Chris Darke

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

The Dance Macabre of Tony Manero

By Lee Hill

ARTICLE

Long Live Lulu

By James DC

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

By Catherine Lupton

ARTICLE

Risk Space for Invention

By Susan Benn

REVIEW

A Dance to the Music of Time

By Gareth Evans

ARTICLE

Tilda Swinton: In the Spirit of Derek Jarman

By Tilda Swinton

ARTICLE

British Cinema – The View from Europe

By Ian Christie

ARTICLE

Signal Fires at the Crossroads

By Jem Cohen

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The Sojourn + A Stone’s Throw

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Why and for Whom Do We Film Today?

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Artaud on the Marx Brothers

INTERVIEW

Living in the Dark: An Interview with Jonathan Romney

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

The Dance Macabre of Tony Manero

ARTICLE

Long Live Lulu

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

ARTICLE

Risk Space for Invention

REVIEW

A Dance to the Music of Time

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Tilda Swinton: In the Spirit of Derek Jarman

ARTICLE

British Cinema – The View from Europe

ARTICLE

Signal Fires at the Crossroads