Archives

By James Norton

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

Essential Cinema

ARTICLE

Cinematic Rebellion

By Lucinda Henderson and Brian Robinson

ARTICLE

Things that Quicken the Heart

By Catherine Lupton

LETTER

Dear Commissioning Editor: 10 Years of Channel 4

By Anne Cottringer

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

ARTICLE

The Children of Godard and 90s TV

By James Leahy, Jamie Payne, David Styan, Karen Alexander

OBITUARY

Tributes: Kieslowski

By Andi Engel

ARTICLE

Subtitled and Silent Films

By Dora Stewart

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

London: Why Is It so Hard to Enjoy?

By Mark Fisher

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Histoire(s) du cinéma

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Shadows of Sergei Paradjanov

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

QUESTION AND ANSWER

Five Broken Cameras

Essential Cinema

ARTICLE

Cinematic Rebellion

ARTICLE

Things that Quicken the Heart

LETTER

Dear Commissioning Editor: 10 Years of Channel 4

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

ARTICLE

The Children of Godard and 90s TV

OBITUARY

Tributes: Kieslowski

ARTICLE

Subtitled and Silent Films

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

ARTICLE

I Like the FID and the FID Likes Me

ARTICLE

London: Why Is It so Hard to Enjoy?