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Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Histoire(s) du cinéma
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
ARTICLE
Creative Capacities of Developing Countries
By
Alessandra Meleiro
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
ARTICLE
CyberCinema
By
Carole Tongue
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
The Feeling of a Story
By
Mathieu Copeland
ARTICLE
Quebec Cinema 2005
By
Bill Marshall
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Unknown Pleasures
By
Sean Kaye-Smith
ARTICLE
Concerted Efforts: Remembering Rock Against Racism
By
Mark Bedford
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
Close-Up on New Hollywood
Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
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