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ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
REVIEW
The Eventless and the Event
By
Steven Eastwood
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
Putting it on the Map
By
Alex Usborne
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
MANIFESTO
Vision Machine: a Web of Stories, Networked Solidarities
ARTICLE
The Hills Are Alive
By
Kieron Corless
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Grim Reaper & the Holy Fool
By
Rosy Rockets
ARTICLE
Enter technology | Enter art | Enter perspective
By
Amanda Egbe
REVIEW
The Exiles
By
David Balfour
INTERVIEW
An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema
By
Jason Wood
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
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