Archives

By Kieron Corless

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

ARTICLE

The History of Cinema and History in Cinema

By Chris Petit

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

By Rosy Rockets

ESSAY

Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films

By Tom Smith

ARTICLE

From Tangiers to Tehran: Cinema, Women and the Middle East

By James Neil

Sex, Politics, Art and Revolution: French Cinema in 1968

OBITUARY

We do everything for this art, but this art isn’t everything

By George Clark and Redmond Entwistle

Grandma’s Grammar: Memory’s Hands

DOCUMENT

Counterpoint: Three Movies, a Book and an Old Photograph

By Don DeLillo

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

Conjuring up the Real: The Films of Jürgen Böttcher

ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

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The Cinemascope Trilogy

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Standing on Earth

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I Long for Stalin and I Want Good Violence

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The History of Cinema and History in Cinema

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Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

ESSAY

Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films

ARTICLE

From Tangiers to Tehran: Cinema, Women and the Middle East

Sex, Politics, Art and Revolution: French Cinema in 1968

OBITUARY

We do everything for this art, but this art isn’t everything

Grandma’s Grammar: Memory’s Hands

DOCUMENT

Counterpoint: Three Movies, a Book and an Old Photograph

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Shadows of Sergei Paradjanov

Conjuring up the Real: The Films of Jürgen Böttcher

ESSAY

U.S. and Them: I’m Not There and American Surrealism

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling