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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
LETTER
Agony Uncle
ARTICLE
“The skin, the aging, the imperfection, the colour, the beauty”
By
Sophie Mayer
ARTICLE
Marvo Man
By
William Fowler
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
POEM
The Moving Image
By
Gareth Evans
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
REVIEW
Eye Candy or New Indie Cinema?
By
Holly Aylett
ARTICLE
The State of Independence
By
Andrea Corbett
ARTICLE
Chain Reactions
By
Kieron Corless
ARTICLE
Chasing the Image
By
Graham Johnston
REVIEW
A. L. Rees's A History of Experimental Film and Video
By
Felicity Sparrow
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