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By James Norton

ARTICLE

The Hours Is Not a Film

By John Bradburn

ARTICLE

Arab and African Cinema’s Uncertain Future

By Kamran Rastegar

ARTICLE

A Post-Colonial Call to Arms

By Jonathan Mitchell

ARTICLE

In Spite of Co-Production: Surviving to Make Films in Lithuania

By Audrius Juzenas

ARTICLE

Wal-Mart: The High Cost of Low Price

By Nancy Harrison, Pepe Baena

ARTICLE

Telling it Like it Is: A Report from the Sheffield International Documentary Festival

By Holly Aylett

INTERVIEW

Of Time and the City

By John Bradburn

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

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Where Is the Friend's House?

The Liberated Film Club

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The Hours Is Not a Film

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Arab and African Cinema’s Uncertain Future

ARTICLE

A Post-Colonial Call to Arms

ARTICLE

In Spite of Co-Production: Surviving to Make Films in Lithuania

ARTICLE

Wal-Mart: The High Cost of Low Price

ARTICLE

Telling it Like it Is: A Report from the Sheffield International Documentary Festival

INTERVIEW

Of Time and the City

ESSAY

Three Images of May: Cinema and the Uprising

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

Close-Up on Rainer Werner Fassbinder

Suriname, Saarland and Surabaya: 3 Films by Karel Doing