Archives

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

By Dai Vaughan

ARTICLE

Tributaries of Surprise

By Nigel Morris

ARTICLE

Re-store, Re-mix, Re-play: Moving Image Culture in the Digital Era

By Julia Knight

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

ARTICLE

Angles of Projection, Exhibition and Symposium

By Adam Kossoff

ESSAY

Broken Trust of the Image

By Dai Vaughan

ARTICLE

The Moon and the Sledgehammer

By Andrew Kötting

ARTICLE

London: No Time for Contradiction

By Mike Phillips

INTERVIEW

What is Animation? Bob Godfrey in Conversation

By Martin Pickles

REVIEW

The Exiles

By David Balfour

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

ESSAY

Remote Lives?

By Peter Todd

DIARY

Fort William: Remote Digital Enlightenment

By Norrie Maclaren

Related Items

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

ARTICLE

Tributaries of Surprise

ARTICLE

Re-store, Re-mix, Re-play: Moving Image Culture in the Digital Era

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

INTERVIEW

At Least I Will Know My Face

ARTICLE

Angles of Projection, Exhibition and Symposium

ESSAY

Broken Trust of the Image

ARTICLE

The Moon and the Sledgehammer

ARTICLE

London: No Time for Contradiction

INTERVIEW

What is Animation? Bob Godfrey in Conversation

REVIEW

The Exiles

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

ESSAY

Remote Lives?

DIARY

Fort William: Remote Digital Enlightenment

Close-Up on Krzysztof Kieślowski