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ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Gallivant I
By
Kimberley Cooper
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
INTERVIEW
A Quiet Chaos
By
James Norton
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
ARTICLE
That Was the Mayday that Was: Photographing Resistance
By
Sukhdev Sandhu
ARTICLE
Between Land and Sea: Art and the Bigger Picture
By
Steven Ball
ARTICLE
Films that No-One Else Will See
By
Michael Eaton
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
INTERVIEW
The Quiet Genius of Victor Erice
By
Geoff Andrew
ARTICLE
Capturing the Elephant
By
Asu Aksoy
ARTICLE
Première Station: Jésus de Montréal- A Filmgrimage
By
Sophie Mayer & Lady Vervaine
INTERVIEW
Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics
By
Robert Chilcott
ARTICLE
Hello Fruitfulness
By
Simon Cropper
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